percussioni

ragazzi chi mi sa consigliare un cd di musica jazz di eccellente fattura dove a farla da padrone siano le percussioni...???...grazie...

CD di musica jazz non saprei...ti posso consigliare un live a caso della Dave Matthews Band dove Carter Beauford la fa sempre da padrone!!!

questo -->

meglio se in lp, se hai l'armamentario per farlo girare

grazie per il momento.......purtroppo non ho l armamentario....

Ti hanno dato grandi consigli


Puoi cercare anche dischi dove hanno suonato:

Più recenti:

Steve Gadd
Dave Weckl
Vinnie Colaiuta
Peter Erskine

Storici:

Tony Williams
Elvin Jones
Joe Morello
Jack DeJohnette
Gene Krupa
Max Roach
Buddy Rich

.... e molti altri

Più o meno la storia della batteria jazz

MMittico!!!...grazie....nel mentre prendo appunti.....ore 15 vado all acquisto!!!

Enry ha scritto:ragazzi chi mi sa consigliare un cd di musica jazz di eccellente fattura dove a farla da padrone siano le percussioni...???...grazie...

Ciao, io ti consiglio questi due album dei M'Boom Re di Max Roach, ensemble fondato nel 1970 di soli percussioni (ma con strumenti armonici come vibrafono e marimba ecc.) con il fiore della percussione afroamericana. Da seguire oltre al leader (il più grande batterista jazz di sempre!!!!) anche quel genio di Joe Chambers batterista, percussionista compositore e soprattutto eccellente vibrafonista e pianista, recentemente ascoltato in Italia con il gruppo di Pietro Tonolo.
Dei quattro album prodotti io ti consiglio questi....non te ne pentirai, ma orecchie aperte perchè non è musica per tutti

M' BOOM RE PERCUSSION | m' boom re percussion (1977 - Strata East)




M' BOOM RE PERCUSSION Collage (1984 - Soul Note)




Ciao

grazie mille anche a te edoardo.....

vicarious ha scritto:

Steve Gadd

Vinnie Colaiuta

Max Roach

Ho già risposto in passato ad una richiesta simile e non posso che confermare questo cd :
http://www.lafeltrinelli.it/products/8028958000097/Short_Stories/UTGandhi.html
Meravigliosa la registrazione presso lo studio Artesuono .

Grandi suggerimenti!!!

Un'altro disco imperdibile, ovvero un doppio cd solo di percussioni, e pietra miliare della musica contemporanea/avanguardia/minimalista/concettuale, della DG e registrato magistralmente, è questo:

http://www.amazon.com/Drumming-Steve-Reich/dp/B0000D7Z63/ref=sr_1_5?s=music&ie=UTF8&qid=1327049233&sr=1-5
Registrato dopo un suo viaggio in Africa, studiando con i percussionisti della tribù degli Ewe in Ghana.

Recensione da Amazon:
The original recording of "Drumming" was made in Germany in 1974 and was released on the Deutsch Grammaphone Label. This version had been unavailable for many years and had become a sought-after collectors item. However, all things must come to pass because now, the much sought-after original recording of "Drumming" has been issued on CD for the very first time at its original length of 84-minutes (the later 1987 recording on Nonesuch Records featured a trimmed-down version running at 56-minutes).
"Drumming" is divided into four distinct parts or movements. The first part is performed entirely on three sets of tuned bongos played with drumsticks. It begins with a single drumbeat which builds up to a syncopated rhythm which carries the entire piece the rest of the way. Throughout it's 25-minutes, this opening section explores nearly every possibility of what can be done with a single simple repeated rhythm. The method of 'phase-shifting' (having one player go out of synch with the other) adds further complexity.The first part leads directly into the second part as the bongos fade out and the marimbas take over. The marimbas carry on with the piece's simple rhythm which is augmented by two female singers mimicking the pitches with vocal scats. As this part of the piece progresses, the marimbas gradually move from their lowest register to their highest. Like the first part, the hypnotic rhythms are made deceptively complex by the use of phase-shifting.
When the marimbas have reached their highest register, the glockenspiels take over. This begins the third part of the piece. This part is reverse of the second one. The glockenspeils begin at their highest register and gradually make their way to the lowest. Instead of having vocalists mimick the pitches this time, a piccolo and Reich's own whistling punctuate the rhythms.
After this has run its course, beats begin to be taken away until there is a single beat left repeating itself.
This leads into the fourth and final part which is a mix of all the instruments heard in the previous three parts played all together (drums, marimbas, glockenspiels, voices, piccolo and whistles). As the glockenspeils repeat the single beats which ended part three, the marimbas join in on the same beat followed by the bongo drums. The music then builds up into its standard rhythm which in turn builds up to a dynamic and intense rhythmic climax. This brings "Drumming" to its final and exciting finish.

Succinta recensione in italiano:
http://www.musicadalpianetaterra.net/2010/06/steve-reich-drumming-music-for-mallet.html
dove si cita la "...guaina surrealistica... per mezzo del phasing..."

Questo disco può essere un'interessante occasione per esplorare il mondo dell'avanguardia minimalista contemporanea (oltre a Reich, Phlip Glass, La Monte Young, Terry Riley su tutti).
Ciao

E aggiungo, Mino Cinelu (un percussionista che ha suonato con Miles Davis (We want Miles) e Wheather Report), in questo disco con Richard Bona al basso

http://www.amazon.com/Mino-Cinelu/dp/B000031WXD/ref=sr_1_1?s=music&ie=UTF8&qid=1327055487&sr=1-1

Da Amazon:
I stumbled across this CD in the listening room of a snooty high end Hi-Fi audio store. It's pure magic. How in the world this artist is not more widely known is hard to understand. The production is superb - if you like Hi-Fi, this CD would truly let your system show its stuff. A true "Must Have".

E ancora
...And the sound is to die for. I'm an audiophile, and this is a demonstration disk if ever I heard one. It's a magnificent recording, with a huge variety of sounds, moods, and timbres, all mixed in a rich and ideal production, with depth, clarity, and richness.

Concordo, ovviamente